Crews 
TV One is gearing up to unleash a new documentary as part of Black Music Month that will dive into the cultural staple that is D.C.’s own Go-Go Music.
The series will premiere on Sunday, June 21 at 8 P.M. ET/7C, followed by an encore presentation at 10 P.M. ET/9C.
The long-awaited documentary was a year in the making and highlights the history and legacy of Go-go music. It features trailblazers, legends, and stars who have championed the sound throughout the decades.
The film also delves into the evolution of the Go-go culture, celebrating the legacy of the Godfather of Go-go music, Chuck Brown, and the pivotal role Radio One played as the original broadcast platform for the music genre. Additionally, it examines the passion that fueled social movements, including the internationally recognized Don’t Mute DC, which emphasized the music’s power and influence amid a rapidly changing cultural landscape.
“I always sought to represent the underrepresented. I always gave voice to the voiceless, and Go-go was very much that,” said Cathy Hughes, Chairwoman and Founder, Urban One who served as Executive Producer for the project. “We are proud to be a part of the Go-go story and grateful to tell the story of the men and women who helped to create and promote this amazing sound.”
THE BEAT DON’T STOP pays homage to the unique contribution of Go-go music to the musical landscape. It features a host of celebrities, artists, music historians, and community leaders including rapper Doug E. Fresh; band members from Junk Yard Band, Trouble Funk, E.U., Backyard Band, TOB, TCBand Maiesha and the Hip Huggers; the dance crew Beat Ya Feet Finest; music historians Dr. Natalie Hopkinson and Kato Hammond; music journalists Ericka Blount and Alona Wartofsky; Don’t Mute DCorganizer Ron Moten; talent promoter and former MCA Records executive Bo Sampson; music producer Tone P; Radio One Personality Angie Ange; DJ Flexx; hip hop artist DJ Kool; and many others.
Big Brother Konan who hosted the first daily radio show in the country dedicated to Go-go music, on Radio One station, WOL-AM, also lends his account to this comprehensive look at the social power and influence of this unique art form.
Go-go music is the indigenous sound of Washington, D.C., which emerged out of underprivileged neighborhoods during the height of the crack cocaine epidemic in the 1980s. It was largely blamed for the rise in crime and violence that paralyzed D.C. THE BEAT DON’T STOP takes viewers through that history and addresses how the music served as a platform for African Americans to elevate and address issues such as class struggles, gentrification, and the music’s impact on black culture.
Check out the full trailer below.
