Crews 
There has long been silent speculation around singer Janelle Monáe‘s sexuality and her alleged relationship with friend, Tessa Thompson.
Well now, the super creative has confirmed the rumors and reveals that she is part of the LGBTQ community in a new interview with Rolling Stone.
“Being a queer black woman in America,” she says, taking a breath as she comes out, “someone who has been in relationships with both men and women – I consider myself to be a free-ass motherfucker.” She initially identified as bisexual, she clarifies, “but then later I read about pansexuality and was like, ‘Oh, these are things that I identify with too.’ I’m open to learning more about who I am.”
She always ducked questions about her sexuality (“I only date androids” was a stock response) but embedded the real answers in her music. “If you listen to my albums, it’s there,” she says. She cites “Mushrooms & Roses” and “Q.U.E.E.N.,” two songs that reference a character named Mary as an object of affection. In the 45-minute film accompanying Dirty Computer, “Mary Apple” is the name given to female “dirty computers” taken captive and stripped of their real names, one of whom is played by Tessa Thompson. (The actress has been rumored to be Monáe’s girlfriend, though Monáe won’t discuss her dating life.) The original title of “Q.U.E.E.N.,” she notes, was “Q.U.E.E.R.,” and you can still hear the word on the track’s background harmonies.
She also spoke on the pressures to conform to industry standards of what a female artist should act, sound and dress like, but she remained true to herself.
Early in her career, Monáe was insecure about living up to impossible showbiz ideals; the persona, the androgynous outfits, the inflexible commitment to the storyline both on- and offstage, served in part as protective armor. “It had to do with the fear of being judged,” she says. “All I saw was that I was supposed to look a certain way coming into this industry, and I felt like I [didn’t] look like a stereotypical black female artist.”
She is also a perfectionist, a tendency that’s helped her career and hindered her emotional life; portraying a flawless automaton was also a bit of wish fulfillment. It’s one of the many reasons she thought she had a “computer virus” that needed cleaning, which led her to years of therapy, starting before the 2010 release of her debut, The ArchAndroid. “I felt misunderstood,” she says. “I was like, ‘Before I self-destruct, before I become a confused person in front of the world, let me seek some help.’ I was afraid for anybody to see me not at the top of my game. That obsession was too much for me.”
I am thankful to all my musical heroes who graced this cover before me . Thank you @RollingStone for recognizing this lil’ #DirtyComputer – JM ???? https://t.co/Y6zGNifi5V
••••••
Hair: @nikkinelms
Makeup: @JessicaPSmalls
Styling: @amandelkorn & me
Photo: Matt Jones pic.twitter.com/zeqtV1wzic— Janelle Monáe, Cindi (@JanelleMonae) April 26, 2018
Kudos to Janelle! On the music front, the singer’s new album ‘Dirty Computer’ will arrive on April 27 via Wondaland Records/Epic/Sony as the follow up to 2013’s critically acclaimed ‘Electric Lady.’ The singer unveiled the official track list and dates for her upcoming tour.
ATL #fANDROIDS! First show sold out so we’ve added a second date at @tabernacleATL on August 5th! Can’t wait to see you there! Pre-sale tickets available NOW! Password: DJANGOJANE https://t.co/BUx3A7p1Yo pic.twitter.com/cC2Go2wTj3
— Janelle Monáe, Cindi (@JanelleMonae) April 25, 2018
Repeat after me, “I am a Dirty Computer.” – then click the following link to enter the #DirtyComputer tracklist reveal experience: https://t.co/8kRGcVnGoj pic.twitter.com/jqPgLFxlBn
— Janelle Monáe, Cindi (@JanelleMonae) April 24, 2018
